Jammed in a job they loathe and exhausted by all the social impositions that surround them, Bárbara and Luiz, in their twenties, decide to leave together for a friend's house seeking for emotional refuge. Inside the place, always full with extravagant parties, both externalize all their cravings and repressed desires.
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.
Swapped combines comedy, adventure and emotional growth while delivering one of the biggest plot twists in animation history.
"65" (2023) is the latest Dino flick to try and answer "what else can we do with dinosaurs?"
