After the coup d'état on September 12, 1980, a husband and wife wanted for political crimes decide to flee abroad. But their children are the biggest obstacle to this plan. Before fleeing abroad, they search for a safe place to leave their children. The couple finally chooses Mehtap Anne's home as the "safest place" for their children. The place where they left their children is actually the "Emanetçi Anne" house, where Mehtap, a former prostitute, takes in the children of other prostitutes who continue to work in the trade after she has left it... Some time after the couple flees abroad, they send an Italian girl to Turkey to retrieve their children. The Italian girl, who wants to take the child left with the "Emanetçi Anne" and bring it to its parents, finds herself caught up in a series of interesting events.
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.
Falling in love with 'Rocketman" all over again.
Greta Garbo, a queer actress playing a real-life queer Queen is the best of both worlds.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
We're in the midst of July, the month in which Americans are supposed to be at their most patriotic! With barbecues, beach trips, and fireworks galore, this is the month where we celebrate our country. For Incluvie, that primarily means diving into the wonderful "melting pot" of the diversity of American film! In between celebrating and feasting, it's important to remember the very basis this country is founded on: "liberty and justice for all."
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
