A film based on a poem by Cassiano Ricardo that described the city of São Paulo with its factories, houses, streetcars, lights, life, etc.; a young woman recited the poem while the images showed what she was saying. "Canto da Raça" was never even shown; Getúlio Vargas ordered the censors to seize it on charges of "parochialism." The film was burned; not even the negative survived; everything was burned.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
The singer recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
Did you know that Disney heroes and villains have kids? Check out the Descendants series.
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.
