
N.Y.H.C. is the first feature-length documentary to explore the New York Hardcore music scene. Drawings its roots from punk rock, hardcore evolved into a dedicated, self-contained movement, unconcerned with success in the mainstream. The documentary follows seven bands in the summer of 1995, ranging from Bronx inner-city youth to Long Island suburbanites to Hare Krishna devotees. N.Y.H.C. is a surprisingly in-depth and non-exploitive look into a vital and often neglected music community.
Presenting a bold and unapologetic narrative focused on strong Muslim female characters, the show beautifully incorporates punk rock as a feminist movement in their lives.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.