Black Swan and its dark feminine energy
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.

An awkward young man adopts the online MYSPACE identity of his friend, a popular journalist, in order to attract a woman who he otherwise feels would be out of reach. He succeeds and after corresponding with the girl for some time, he travels to meet her, all the while impersonating his friend (whose picture is rarely published with his articles). Surprisingly, when he finds her, she is living with her boyfriend and claims to have no MYSPACE identity at all. It seems the recluse neighbor of the girl has hijacked her online identity also. Intrigue and moral corruption ensue as this case of stolen virtual identity leads to disaster for both the imposters and all those involved.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
Written and directed by Rian Johnson (Looper, Star Wars Episode VIII: The Last Jedi), Knives Out was one of the most clever and intricately crafted films of 2019.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.