Barbara, a dancer, is coming home to Nagoya after a long absence. She lives above a bar in an area whose inhabitants are mainly from Okinawa. Upon her return, Barbara faces problems beyond her control. Her brother and two friends take one of their teachers hostage to extort money to go on a school trip. Miyazato, the man who loves Barbara is there, but not Aiko, her best friend. Miyazato, a yakuza and manager in a nuclear power plant has forced Aiko into prostitution for the workers of the plant. Barbara plans to help her escape from this hell. Aiko has been sent to Mihama. Without even thinking for a moment, Barbara decided to go see her friend.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
A gentle coming of age story, Water Lilies takes its time in exploring what it’s like to be a young girl trying to make sense of her sexuality in a heteronormative world.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
The Season 3 finale overall upholds everything that Incluvie is primarily concerned about when it comes to media content
