Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

NSFW poster

NSFW (2019)

Four co-workers make a bet to see who can be the first to bed an attractive new hire. Flirting gives way to backstabbing and friends become enemies as they compete for the object of their affection. Before it's all over reputations are destroyed, punches are thrown, and someone goes to jail.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Four co-workers make a bet to see who can be the first to bed an attractive new hire. Flirting gives way to backstabbing and friends become enemies as they compete for the object of their affection. Before it's all over reputations are destroyed, punches are thrown, and someone goes to jail.

Rating:
Genre:Comedy
Written By:Peter Miriani, Eddie Moffett
In Theaters:2/15/2019
Box Office:

Runtime:82 minutes
Studio:

Articles You May Like


"She’s Gotta Have It” was Ahead of the Curve in Portrayal of Female Sexuality

In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.

Andrea Amoroso

The Shrew Has Been Tamed in The Devil Wears Prada 2 (2026)

My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.

Simina Munteanu