Storm & Starfire Colorism
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.

Six years ago, the wife of a de facto marriage went missing in Hamyang after a bus accident. Her husband visits after hearing a tip that she has registered her marriage with another man. She is unable to remember the past. The man asks her current husband to visit Okcheon with her. She recalls a memory of where she lived with the man a long time ago.
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
The Forge is a moving story about a young man’s search for purpose. Through mentorship, discipline, and faith in God, his life is transformed from confusion into clarity, reminding us that true greatness is shaped in the fire of surrender and growth.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.