Lucia arrives to Buenos Aires with a mission, take care of a Hungarian filmmaker invited to present his film at the Buenos Aires Independent Film Festival. Lucia meets Pablo, who introduces himself as the angel of prestigious film director Béla Tarr. Lucia and Pablo will join Laszlo Novak in a tragic adventure, moving heaven and earth to find his lost film.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.
