Nova Redenção 

Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.

Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.

How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?

The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.

Omaha reminds us of what it can feel like to look at old family photographs.  You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it. 

The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.