Jojo, a Filipino artist in Paris who has had many lovers, but constantly finds himself desperate to fill the chasm in his life occupied by the mysterious muse of his paintings. For years, his heart is held captive by a woman with no name and no history. Like a compass, Jojo looks for her in every girl he meets, hoping she will be “the one.” One day, a woman named Marie, walks up to Jojo and claims to be the subject of his paintings.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
Did you know that Disney heroes and villains have kids? Check out the Descendants series.
The second entry of the Five Nights at Freddy’s series released recently, garnering very divisive reviews amongst both fans and critics.
