Klaudia, surrounded by a critical mother, obsessively helps others. Przemek worships Poland and hates stupid people. So everyone. Donatello loves mud turtles, the Actor only himself. Maja lives and chills as Netflix commanded. Everyone takes part in the therapeutic stay under the care of Remek. And they create the saddest comedy of the year.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
This surprisingly clever romantic comedy perfectly balances genuine heart with wild reality television chaos. It is an uplifting and funny reminder that second chances and real community can show up exactly when you stop looking for them.
Sam Levinson's latest film can't keep up with the excellence of its performances.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
