Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Ibrahim goes back to the village he once left, hoping to screen films. But as he wrestles with custom and bureaucracy, war ignites across Sudan, turning his search for a screen into a battle to stay alive.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
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Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
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