Maybe We’ve Finally Learned Our Lesson - Jurassic World: Rebirth
Life may find a way, but is it worth testing its fierceness and how far it will go?
Nothing but the Truth (2008)
When reporter Rachel Armstrong writes a story that reveals the identity of a covert CIA operative, the government demands that Rachel reveal her source. She defies the special prosecutor and is thrown in jail. Meanwhile, her attorney, Albert Burnside argues her case all the way to the U.S. Supreme Court.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
When reporter Rachel Armstrong writes a story that reveals the identity of a covert CIA operative, the government demands that Rachel reveal her source. She defies the special prosecutor and is thrown in jail. Meanwhile, her attorney, Albert Burnside argues her case all the way to the U.S. Supreme Court.
Rating:R
Genre:Drama, Thriller
Written By:Rod Lurie
In Theaters:12/19/2008
Box Office:$409,832
Runtime:108 minutes
Studio:Battleplan Productions, Yari Film Group
Cast
Rod Lurie
Director
Kate Beckinsale
Rachel Armstrong
Matt Dillon
Patton Dubois
Angela Bassett
Bonnie Benjamin
Alan Alda
Alan Burnside
Vera Farmiga
Erica van Doren
David Schwimmer
Ray Armstrong
Courtney B. Vance
Agent O'Hara
Noah Wyle
Avril Aaronson
Floyd Abrams
Judge Hall
Preston Bailey
Timmy Armstrong
Kristen Bough
Allison van Doren
Articles You May Like
“Relic” Presents the Fear of Aging- Horror Movie Review
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
Short Film Spotlight: An A Peel for Justice by Jeff Aquino
Jeff Aquino’s film “Viral” placed second in 2020’s Incluvie Film Festival fest, he’s back again with his film "An A Peel for Justice".
'Under Wraps': A 2021 Halloween Remake
This remake of the Disney Channel Original Movie of the same name brings a strong representative cast.
'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.