
For over 40 years, the iconic John Clarke tickled the funny bones of Australian and New Zealand audiences. Now, in this intimately produced documentary, hear his story in his own words. In a remarkable series of recorded conversations between John and his daughter, writer/director Lorin Clarke, he traces his steadfast resistance to authority back to his childhood and offers delightful insights into his four decades in the entertainment industry.
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.