Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

André, a young worker overwhelmed by the monotony and lack of meaning in his life, finds solace in drawing. While recreating a photograph from his childhood, he enters a surreal world where he meets his childhood self. Between reality and fantasy, André faces his loneliness and seeks answers in the company of his inner child.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Based on the best-selling novel by Angie Thomas and a maxim of the late Tupac Shakur.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
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The thing is, people like Wahlberg will only apologize if they have something to lose, which he did. His glamorous life, his reputation, and his career were all at stake.