"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

Norwood (1983) continued the 'story' of Stonebridge Park and the technique, in another London suburb. Short films of increasing technical sophistication climaxed in 1989 with The Clouds, a further topographical exploration combining another anxious fictional commentary with imagery derived from a journey across the north of England from Jodrell Bank to Whitby.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.