NoNoseKnows explores the mass production of cultured pearls for the luxury market, labor almost exclusively performed by women. Portions of the video were shot in Zhuji, China, home to gargantuan pearl-making facilities, but the rest was staged and recorded in New York on a custom-designed set. As with all of Rottenberg’s work, women serve as both protagonists and catalysts: the women seen here do strange things that make other strange things happen, to themselves and others, which in turn make even more strange things happen. The video as a whole is a kind of assembly line of cause and effect, reaction and response, all of which result in the production and harvesting of cultured pearls.
A chilling return to the Final Destination franchise with a terrifying twist on fate. Bloodlines explores whether Death can hold a grudge across generations—and what happens when the past won't stay buried.
Juno is extremely funny, very well-written, and contains great performances. The film is also about a very important topic, one that is extremely relevant now: women’s reproductive rights. Is this Oscar-winning film spreading a pro-life or pro-choice message to its audience?
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
