The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Chronicling the highs and lows of bisexual online hook-ups by posting regular updates to her ever-growing number of followers, a vivacious Internet vlogger embarks on a public dating odyssey. Seeking affirmation and genuine affection, these fleeting encounters and shallow connections only compound her dissatisfaction, leading her towards increasingly risky behaviour, both on and offline. After receiving a heartfelt message from username “Red X”, Cassie optimistically goes on one final date. But when sensitive footage of their rendezvous goes viral, online praise and approval quickly turns to abusive vitriol. In this cautionary tale of the perils of "sharing" ourselves, Cassie’s desperate attempt to fight the tide of public opinion leads to tragic real-world consequences.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
It surely isn't for everybody and could certainly offend some folks, but Troll Hunter takes a different approach to representing religion in a film.
The singer recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life.
Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
Turning Red' has received hate for being 'unrelatable' while dealing with one of the most human experiences. Despite the Turning Red controversy that it's unrelatable, it is yet another Pixar classic that will inevitably stand the test of time.