Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

NOFX brought the curtain down on four decades of punk mayhem this weekend, as they played their final shows at Berth 46 in Los Angeles. Changing setlist for each gig, California's pharaohs of punk took a varied, often fast and usually silly journey through their massive catalogue, accompanied by a crew of mates including Rancid's Tim Armstrong, Bad Religion's Brett Gurewitz and Foo Fighters' Chris Shiflett. As they finished up on Sunday night (October 6), it ended in typically chaotic fashion, doing The Decline with a host of guests, with Pennywise guitarist Fletcher Dragge smashing the band's instruments. Frontman Fat Mike recently insisted that this would be it for NOFX, with no future reunions ever to happen. A promise such behaviour will help to keep... Before that smashey ending, they turned up to suck live one final time...
Eddington attempts to capture how media is intertwined with the uncomfortable present.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.