Is Disney Finally Learning?
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.

No Way Through follows the journey of Jolade Okeniyi, a single mother of a teenage daughter, who is trying to make ends meet. Jolade’s primary source of income comes from working for the local drug cartel in her neighborhood as a driver. Jolade is caught by the authorities and forced to inform on the cartel. Failure to supply the required information will send both her and her daughter to jail, but the risks of getting that information could see them killed by the ruthless cartel. Directed by Chinaza Onuzo, from his own screenplay, No Way Through is a crime drama about the costs of providing for your family no matter what, and the risks you take when you are trying to be free.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
A Christmas tale that everyone is wishing for, and that everyone will remember.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
This is not a slavery story, it is a freedom story. The viewers only see Harriet as a slave for the first few minutes of the film. To me, it felt like watching the origin story of a superhero…which is both good and bad.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.