This short story is a prequel to our favorite friendship unit, Apple. Follow her in her adventure from the other side of the Wasteland, right before her memorable encounter with the Kid!
Anouk Whissell, Yoann-Karl Whissell, François Simard
Director
Laurence Leboeuf
Apple
Jean-Simon Leduc
Apple's friend
Stéphane Demers
Cult leader
Guillaume Bedard
Cult worshipper
Bernard Cyr
Cult worshipper
Sebastien Doyon
Cult worshipper
Stephane Dumais
Cult worshipper
Jean-Philippe Gilbert
Cult worshipper
Alexis Labranche
Cult worshipper
Alexandre Pierre-Louis
Cult worshipper
David Poulin
Cult worshipper
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.