Incluvie Classics: Strong Women and Gender Expression in Alfred Hitchcock's “Psycho.”
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
No Place to Call Home
Documentary showing a generation desperately looking for a place to call home. The housing officers in Barking and Dagenham face daily queues of angry residents desperate for help.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Documentary showing a generation desperately looking for a place to call home. The housing officers in Barking and Dagenham face daily queues of angry residents desperate for help.
Cast
Articles You May Like
The Bizarre World of PN & Friends Episode 30: Reboot
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
"Inside Llewyn Davis" Is a Stunning, Melancholic Tale of Failure
"I Know What You Did Last Summer" (2025) Film Review-OH HORRORS...it's ANOTHER sequel, FAR more funny than frightening
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
No Race, No Gender, Only People - Unbiased Casting
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
It's Theater VS Cancer in "Don't Say Good Luck"
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.