Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
No Place poster

No Place 

In an undefined location, in a indeterminate time, Guzmán, his sentence completed, starts his shift in a gas station. Every night is a repeat of the previous nights, where he begins a succession of routine motions, tasks and habits. And every night, lost women stop at his gas station to ask him for help. Just help? Guzmán will be the one who, much to his regret, enables them to carry on their way to their fates, until his change of shift comes along. Or until he himself says that he cannot take any more.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


In an undefined location, in a indeterminate time, Guzmán, his sentence completed, starts his shift in a gas station. Every night is a repeat of the previous nights, where he begins a succession of routine motions, tasks and habits. And every night, lost women stop at his gas station to ask him for help. Just help? Guzmán will be the one who, much to his regret, enables them to carry on their way to their fates, until his change of shift comes along. Or until he himself says that he cannot take any more.

Rating:
Genre:Thriller
Directed By:Nina S. F. Engel
Written By:Ezequiel F. Werchowsky, Raquel Castellanos
In Theaters:
Box Office:

Runtime:10 minutes
Studio:Ecam

Articles You May Like


"Him" (2025) Film Review-The realities of making the grade in professional sports gets a cultism-driven, horror film makeover

"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.

Kirk Fernwood