‘También la Iluvia’: A Lesson in Shallow Representation
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.

A Kibutz in Israel is heavily in debt. In a last effort to produce a viable financial restructuring, the old, "unproductive" members are asked to leave the kibutz, to make room for younger, more productive new members. Among those destined to leave is Shraga. His marriage to Clara is loveless while he desperately loves Bracha, his late brother's widow. Clara dreams of starting afresh with her husband in an old age home, in the far north of the country. Bracha on the other hand refuses to remain a mere no. 2. Shraga is asked to make a decision. Other family members are forced into joining this unresolvable conflict.
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.