'Venom: Let There Be Carnage' Is a Gay Love Story and I'm Here for It
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.

A plot to overthrow the United States government is uncovered in New York City in the summer of 1919 when William Flynn, a field agent for the Bureau of Investigation, is sent to investigate a bomb threat that has targeted some of America's most powerful politicians and leaders of commerce, New York millionaire John D. Rockefeller, Sr. among them. Flynn's investigation takes him on a journey into the underworld of homegrown terrorism and introduces him to a competitive culture of violence and murder. Greed, power, and politics are at the center of the story and Flynn must distinguish the villains from the merely discontented. Along the way, he discovers that terrorism has many faces and that a determination of guilt or innocence often lies in the psychology of fear that constricts individuals at every level of society. Sedona International Film Festival.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
The movie makes it abundantly clear that Meeka becoming an official heir is the most likely going to happen. But if you are expecting to see a movie about Meeka’s perseverance and eventual ascent to the throne, prepare to be deeply disappointed.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.