Wednesday Addams
The iconic title character stars in her own horror and gothic TV series.
No Exit (1962)
The Valet enters a hotel room with Joseph Garcin in tow. The windowless room has a single entrance and no mirrors. Two women, Inès Serrano and Estelle Rigault, are then led in; afterwards, the Valet leaves and locks the door. Realising that they are in hell, the trio expects to be tortured; however, no torturer is forthcoming. While waiting, they strike up a conversation and discuss each other's sins, desires, and unpleasant memories. Adaptation of the play by Jean-Paul Sartre.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
The Valet enters a hotel room with Joseph Garcin in tow. The windowless room has a single entrance and no mirrors. Two women, Inès Serrano and Estelle Rigault, are then led in; afterwards, the Valet leaves and locks the door. Realising that they are in hell, the trio expects to be tortured; however, no torturer is forthcoming. While waiting, they strike up a conversation and discuss each other's sins, desires, and unpleasant memories. Adaptation of the play by Jean-Paul Sartre.
Rating:
Genre:Drama
Written By:George Tabori
In Theaters:12/5/1962
Box Office:
Runtime:85 minutes
Studio:Aries Cinematográfica Argentina
Articles You May Like
'Being the Ricardos': A Match Made in TV Heaven
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
Short Film Review "Jamarcus Rose & Da 5 Bullet Holes" - Chasing ambitions, accepting guidance, finding brotherhood, and realizing the fragility of life
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
TIFF ‘22 Coverage: ‘Triangle of Sadness’
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
Me and 'My Best Friend Anne Frank'
This film is based off of The Diary of a Young Girl, which was written during the Holocaust period.
'King Richard': A Portrait of a Black Father Seeking Respect
"King Richard" paints a nuanced portrait of a Black father trying to ensure his daughters’ success in a racist, misogynistic world. Yet, Richard and his kids overcome that fear and adversity to succeed.