Don’t Give Disney a Pat on the Back for Doing the Bare Minimum
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.

Set in the exotic terrain of the Yucatan Peninsula, NO BAD DAYS is an action/adventure film that manifests all the qualities that make for an entertaining and captivating film. The fast-pace style makes for a surprise at every turn, while the charisma and chemistry of the main characters create a romantic subplot. The story begins when evil tomb-raiders rob precious Mayan artifacts and soon face their most difficult opponent an unpredictable, rugged, ex-military operative who discovers his true self after ending 5 years in hiding. Our hero finds himself being chased through jungles, spying in underground waterways, and falling in love with an attractive, yet stubborn American woman searching for her missing mother, an archeologist who was in the wrong place at the wrong time. This gripping, action-packed, humorous tale peaks in one of the most unique and alluring tropical locations in the world, leading the two heroes on a crusade against evil forces even greater than they anticipated.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
The story is a moving sentiment of letting go of the past and putting trust and faith into others. Though you come into this world alone, surrounding yourself with others that support you and want to help is the greatest gift life could ever give.
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
The development of existing characters and the addition of some new ones have surely placed 'Ted Lasso' on some sort of an Incluvie A-OK list.