
In this re-imagining of a Greek myth, a young man drifts around a small rural area in the wake of something he believes he has done. His small, wordless encounters point to a larger world of ambiguous political realities, occult scenarios, and psychological trauma. Shot on worn videotape and 16mm film.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
‘Run Sweetheart Run’ has everything women fear the most, from psycho boyfriends to tampons.
What happens to an inseparable bond when love for competing morphs into competing for love?
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
After the 2018 surprising hit "A Quiet Place" brought something fresh to the horror genre, the announcement of a sequel may have been disappointing to some. A lot of the time, a sequel to an already successful movie is no where near as good as the original. Yet, John Krasinski once again shows that he's much more than Jim from The Office.