Animal Farm: Viva la Dystopia
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.

In the sixties the painter and sculptor Niki de Saint Phalle started her career with shooting paintings, reliefs that were fired at with paint bags. She became famous and popular for her Nanas, colorful sculptures of big and cheerful women, and for the cooperation with Jean Tinguely. The frame of this film is a tour through her tarot garden in Tuscany.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
The film illustrates the life of a single who struggles to provide an ideal childhood for her two daughters.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.