Wu Hongyan is a female bailiff in a regional court in West China dealing with women awaiting execution—more often than not, sentenced for crimes of passion. Every weekend, without much luck, she looks for love at the Good Luck Matchmaking dance, until she meets the husband of one of her prisoners.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
"Beef" is a new dark comedy with a near entire Asian-American cast
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
