Let’s Hope Disney’s “Hercules” Remake isn’t Another “Aladdin”
Here's what Disney got wrong with "Aladdin" and how it can avoid those pitfalls with "Hercules."

After a night of heavy drinking, a drunken man returns home for the night, only to misplace his house key. Trapped outside, his night quickly turns into something strange and surreal, in this modern day silent comedy-drama.
Here's what Disney got wrong with "Aladdin" and how it can avoid those pitfalls with "Hercules."
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.