“Fjord” is Beautifully Indecipherable
Fjord, like its story, is not a conclusion, but a beginning.

Two men of principle face each other. One is backed by a whole, however poor village, the other by the law. It is a conflict that reaches it's climax in the closing shoot-out. Instead of the Wild West, the gunshots go off on the Slovak-Polish border. Michal Docolomansky as the horse smuggler and Radoslav Brzobohaty as the customs officer from Prague meet in Holly's Night Riders in a western-like confrontation set in the insecure years of the newly founded Czechoslovak Republic.
Fjord, like its story, is not a conclusion, but a beginning.
Lucifer is a show with both comedy and drama, but most importantly, has charm. Well aware it’s following a silly premise, the show does so in a way that’s entertaining. Sure, sometimes it can be cheesy, but fun cheese.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.