Night on the Cordon 

Happy Halloween! If you were debating capping off Spooky Season with a viewing of Hocus Pocus 2, it is just very clear that this is more for the younger audience as opposed to people who grew up with the original.

I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.

Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.

When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like

Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.

Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.