Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A lesbian couple have a confrontational sleepover.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.
Guillermo del Toro highlights a touch of innocence in the Gothic classic. The journey of Victor Frankenstein defying death gained inspiration from the Eastern energy system that is named ‘Qi’ and the lymphatic system being studied by Muslim scholars.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.