Roald Dahl's "Matilda the Musical"
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.

Living alone, Jamal is a painter, but no one likes his works, which causes him great depression. He has a self-righteous fiancée named Lala. One day, his friend Adalat comes to Jamal's house in the middle of the night drunk with a bar girl, Zara. Adalat asks Jamal to stay at her house for one night. However, when morning comes, Adalat does not come after the girl. When Zara wakes up, she thinks that Jamal brought her home. Thus, sublime feelings arise between people from different worlds.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.
In Tall Girl, Jodi learns to stand tall and find confidence within.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
An animated reboot based on the book of the same name, with differences from the live-action movie of the same name.