'Ashley Garcia: Genius In Love' (2020)
This Netflix series is about Ashley Garcia, who gets a once in a lifetime opportunity to work at NASA.

Nadya was widowed young and raised two children on her own. Long ago she gave up hope of finding personal happiness, and now it seems even more impossible — she is already a grandmother. Nadya works in a flower shop, where Lyonya, her peer and also a widower with two grown children, often stops by. For his young lover, it is Nadya who prepares the beautiful bouquets. One day, however, Lyonya catches his girlfriend with another man. Disillusioned, he firmly decides never again to get involved with younger women. Instead, he chooses something unexpected: he proposes to Nadya. Nadya is bewildered. She knows Lyonya does not truly love her, and his children oppose the marriage. Yet for her, this might be the last chance at personal happiness — and she decides to take it.
This Netflix series is about Ashley Garcia, who gets a once in a lifetime opportunity to work at NASA.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
The sequel to the 2010 live-action movie focuses on sibling rivalry.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
The movie makes it abundantly clear that Meeka becoming an official heir is the most likely going to happen. But if you are expecting to see a movie about Meeka’s perseverance and eventual ascent to the throne, prepare to be deeply disappointed.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.