New York Nights (1994)

Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.

'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.

Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.

There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.

It’s no wonder Peele won an academy Award for Best Original Screenplay. His script is layered with perspective and subtlety. Through a terrific vision, Peele creates the gift that keeps on giving. The clues and symbolic representations are aplenty, and as each viewing passes, you are destined to find something new. That’s a mark of great cinema.