'Men' Disappoints with a Flat Examination of Misogyny
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.

Two of Balanchine’s most beloved ballets, Serenade and Orpheus, in this first release in VAI’s historic series featuring the New York City Ballet in Montreal. Beginning in 1954, NYCB’s Artistic Director and co-founder George Balanchine presented the company in performances produced for Radio-Canada, the Montreal division of Canadian Television. These live telecasts capture legendary dancers in core works of NYCB’s repertoire. Serenade stars Jacques d’Amboise, Diana Adams, and Patricia Wilde. Balanchine himself appears on screen to discuss Orpheus, which stars Nicholas Magallanes and Francisco Moncion dancing the roles they created in the 1948 premiere, and Violette Verdy as Eurydice.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
Given that Charlie Cox is having a moment with the rise in interest in 'Daredevil,' let's return to one of his earlier movies: the fantasy romance 'Stardust' where he shines amidst a slew of characters, from a stereotypical witch to a crossdressing pirate.
Inspiring and diverse animated series for the whole family.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
Personalities clash and tempers fume in a family-run Chicago restaurant