Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

The Vienna Philharmonic Orchestra's traditional New Year Concert in 2010.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.
When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.
This coming-of-age movie based on the 1970 book by Judy Blume gives viewers a scope on female topics in the quest for a religious identity.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.