As any mother or father will tell you, when it comes to parenting, there's no right way to do it! Discover the highs and lows of being a queer kid in a straight family and vice versa in these six moving short films from Germany, Bulgaria, Israel, China and the United Kingdom. The short films are: Samira (2016); Pride [Чест] (2013); Lost and Found [אבידות ומציאות] (2015); Chaos Toad (2018); Sunken Plum [沉李] (2017); Escaping Gravity [Fliehkraft] (2013).
Clocking in at about four hours, Stranger Things season 4 volume 2 is the length of a double feature. Despite the length and the hype, the finale still falls short of expectations thanks to poor pacing, poor character choices, and poor diverse storytelling.
Cinderella has been adapted many times over, with the latest adaptation from Amazon sparking controversy over its girlboss agenda. But what of diversity? We rank some of the most popular adaptations for diversity.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
