Halt and Catch Fire's Trailblazing Queer Representation
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.

Yuko Aso, wearing a leotard, was performing her rhythmic gymnastics ribbon routine alone in the gymnasium of Shiroyama Minami High School. Hitomi Aoyama, wearing a sailor uniform, was gazing at her with a passionate gaze. Yuko was a new female teacher who had come to fill in for a vacancy at the prestigious Shiratori Women's College of Physical Education, a gymnast with a high level of rhythmic gymnastics.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
Have you ever wondered what it's like to work at the greatest arts and entertainment company? This documentary film gives us a look at the people who make the magic.