Nam, 22, fled to Saigon for a murder. In one accident, Nam reached the sights of Huy, 25, a mysterious character completely unknown. Knowing Nam need money to survive, so Huy promised Nam that he will pay 200 million in exchange for he can own Nam for 20 hours. And Nam has to do everything except things that are illegal. Nam were secretly sent back to the mysterious mansion of Huy, and from here Nam has to face the dangerous game and this guy's craziness. In this house, Nam is not alone like Huy told him before, but also with one young girl was stabbed to death and 1 grave. And when Nam want to escape the ghost house, only to discover Huy also stabbed to death. The killer is somewhere in the house? Who is she? Huy's relationship with the girl like? Can Nam safely escape with 200 million or not?
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
Miley Cyrus shares her struggles as a songstress with a young audience, all while staying upbeat for the Disney brand.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
An artistic approach to the impact of Billie Holiday’s “Strange Fruit”.
