Thirty-year-old Ama is a brilliant, ice-cold headhunter for global corporations whose polished single life in Warsaw conceals her deep longing to become a mother. When she breaks her own professional code to go on a date with Marek, the handsome Silicon Valley recruit she’s placed, her controlled world is disrupted.
I have been a long-time fan of the Marvel Cinematic Universe ever since it made its official debut through 2008's absolutely excellent "Iron Man". The run continued, as did my associated fandom of the films, through the utterly EPIC 2019 finale "Avengers: Endgame".
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
Like many things, like animals and people, they always evolve. When the first humans walked the Earth, they originated from Africa and were all black.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
