'Slumber Party Massacre': Gory, Fun, and Feminist Slasher Remake
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.

The History of Acid Mothers Temple & The Melting Paraiso U.F.O., told through a collection of rare live performances. Disk 1 tracks the band through their first decade from 1998 to 2007 telling the ongoing story through rare live videos including the very early rare footage. Featuring many special guests appearances from Mani Neumeier (Guru Guru), Afrirampo, Yoshida Tatsuya (Ruins), Yamazaki Maso (Masonna), Kuriyama Jun (ex Ox), etc. Disk 2 includes a historic performance of "La Novia" with Occitan queen of song Rosina De Peira, "Pink Lady Lemonade" medley of the many different versions from 1999 to 2007, the 2004 version of "Dark Star Blues", the 1999 version of "Dark Stars In The Dazzling Sky (a.k.a. Blue Velvet Blues)" and exclusive interview with Kawabata Makoto. Also live clips of other AMT-related units like Acid Mothers Temple & The Cosmic Inferno, Acid Mothers Temple SWR, Acid Mothers Gong, Acid Mothers Guru Guru, etc.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.
Mohit Suri’s Saiyaara (2025) is a soulful musical romance led by fresh faces Ahaan Panday and Aneet Padda. A heartfelt tale of love, grief, and emotional healing that’s taking the Indian box office by storm.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.