'Young Royals' Review
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.

Something is brewing over the no-man's land around the Wall. Nevertheless, a young man ventures onto the barricades. With his idiosyncratic protest, he defies borders and, without suspecting it, sets significant signs.
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.
Set against the backdrop of the Jim Crow era, the film offers layered representation.
Based on the best-selling novel by Angie Thomas and a maxim of the late Tupac Shakur.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.