Robert, a recently widowed engineer from Cologne, decides to change his life. He invests all he has in a new business in Southeast Germany - a network of coin operated telescopes, hoping to profit from the breathtaking vistas of the Saxon "Switzerland" area of the East. Once in that region, Robert meets Christiane, who uncanningly resembles his deceased wife. Christiane is also at a crossroads. She has a secret plan to recover something of great value lost after the fall of the Berlin Wall.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
Lin-Manuel Miranda’s 'Vivo' is a children's animated musical rich in Hispanic culture! The story follows a kinkajou as he delivers a love song for a friend.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
Shakti’ is a survival guide for women all over the world.
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.
