Looking Behind the 'Z-O-M-B-I-E-S' Trilogy
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.

This is a world of unprecedented aberration! A young woman screams in a park at night. Fresh blood spills out onto the hand of a man holding a knife.... It is the last day of school. Kishimoto jokingly tells Mariko that she should be careful with the newspaper of last night's murder in her hand and leaves. Yuri comes in, sees Kishimoto in the background, and says, “There was a murder last night. I tried to talk to him near the park where the murder took place, but he ignored me...” Yuri works as an accountant at the same school.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
The singer recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
It’s a cool looking Marvel character right off the page! He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.