Poverty and the Cycle of Violent Youth in 'City of God'
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.

In the video John Hanlon, producer/recording engineer says: "Neil just captures the moment, he gives it his all, he goes for the throat. If he is not feeling it, he ain't gonna pick up the guitar. If he's feeling music, then he is recording, he's playing and I am recording it because that's what art is, capturing the movement, all the human imperfections, that is what it is about always. He is the commensurate artist, we get first takes on everything, that's the idea, cuz that's often times the best stuff. If you have to think about it that's not creating, that's thinking, then it doesn't work, it doesn't have that passion."
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
It’s been awhile since I’ve seen a film that is jarring within the first five minutes. Being at the edge of my seat from the very beginning made me feel both excited and frightened for what was to come, and it did not disappoint. Led strongly by Jennifer Lawrence as Grace, a woman trapped in the “American dream”, this film shows that society tells us what should make us happy. Many critics describe Die My Love as being about post-partem depression, but it is so much more. After moving to a secluded home with her husband Jackson, Grace finds herself in the throes of motherhood. Feeling isolated in her physical environment and her romantic relationship, Grace suffers psychologically. Lawrence brings a sense of rawness and humor to the screen that is often uncomfortable. Robert Pattinson adds to the discomfort as her loving, yet lost husband Jackson, who cares about his wife but does not know how to help her. Lynne Ramsay has presented a film that forces us to look at the realness of life, and what happens when the promise of what should make you whole fails.