Neil Gaiman is one of the most beloved storytellers in the world today, a medium-jumping legend who opened a new era of comics with Sandman, scared a generation of young readers with Coraline and The Graveyard Book, and has thrilled his fans with years of live readings and signings. Recently, Neil embarked on his final signing tour, one last chance to talk to the fans who love his work and show his appreciation for their years of support. Now you're along for the ride! The film offers unprecedented access to Neil, chronicling his journey from myth-loving child to one of the most popular writers in the world. In addition to Neil, the film also features Amanda Palmer, George RR Martin, Grant Morrison, Bill Hader, Wil Wheaton, Michael Sheen, Karen Berger, and many more.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
In Saudi Arabia, a little girl (Wadjda) is told she can't have a bike because she's a girl. Wadjda struggles to obtain a bicycle to race her friend, Abdullah, due to the gender inequality and cultural norms of Saudi Arabia.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
Disney/Pixar may see a bit of a turning point with Pixar’s new Disney+ Sparkshorts short film: OUT.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.
